Guillaume de Machaut(1300 — 1377)

Guillaume de Machaut

France

6 min read

MusicCompositeur/tricePoète(sse)Middle AgesLate Middle Ages, 14th century, the era of the Ars nova and the Hundred Years' War

Guillaume de Machaut was a 14th-century French poet and composer, a leading figure of the Ars nova. Considered one of the greatest musicians of the Middle Ages, he shaped the transition toward complex polyphony.

Frequently asked questions

Guillaume de Machaut (1300-1377) was a French poet and composer of the 14th century, a central figure of the Ars nova. What you need to remember is that he revolutionized Western music by composing the first complete polyphonic mass attributed to a single author, the Messe de Nostre Dame. At a time when composers often remained anonymous, Machaut carefully supervised the copying of his works into illuminated manuscripts, thereby securing his legacy. His influence left a lasting mark on the fixed forms such as the rondeau and the ballade, which inspired European musicians for centuries to come.

Key Facts

  • Born around 1300 in Champagne, died in 1377 in Reims
  • Composed the *Messe de Nostre Dame* around 1360, the first complete polyphonic mass attributed to a single composer
  • A central figure of the Ars nova, the 14th-century musical movement that renewed rhythm and notation
  • Secretary to John of Luxembourg, King of Bohemia, then a canon of Reims
  • Author of motets, ballades, rondeaux and virelais blending poetry and music

Works & Achievements

Messe de Nostre Dame (c. 1360-1365)

The first complete polyphonic mass attributed to a single composer. A landmark work of Western music and a masterpiece of the *Ars nova*.

Le Voir Dit (The True Tale) (c. 1364)

A long poem weaving together letters, verse and songs, recounting his love affair with **Péronne d'Armentières**. A rare testimony to the inner life of a medieval artist.

Ma fin est mon commencement (My End Is My Beginning) (14th century)

A palindrome-rondeau whose music reads the same forwards and backwards. A celebrated technical feat showcasing his genius for construction.

Remède de Fortune (Fortune's Remedy) (c. 1340)

A long narrative *dit* containing examples of every lyric form of the period. A kind of poetic and musical handbook.

La Prise d'Alexandrie (The Taking of Alexandria) (c. 1370)

A verse account of the exploits of King **Peter I of Cyprus**. A historical and chivalric work from the end of his life.

Ballades, rondeaux and virelais (14th century)

A vast body of secular songs in the “fixed forms” that he perfected. They influenced all of European music that came after him.

Le Livre dou Voir Dit and the complete manuscripts (c. 1370-1377)

Illuminated collections gathering his entire body of work, copied under his supervision. They allowed the exceptional preservation of his output.

Anecdotes

Guillaume de Machaut composed the “Messe de Nostre Dame” (Mass of Our Lady), one of the first complete polyphonic masses attributed to a single composer. Before him, the different parts of the mass were often written by several anonymous musicians; Machaut wanted a unified work, which was a genuine musical revolution.

Toward the end of his life, Machaut had an epistolary love affair with a young admirer named Péronne d'Armentières, when he was around 60 and she was under 20. He recounted this relationship in a long poem, the “Voir Dit” (the “True Tale”), blending letters, poems, and songs.

Machaut carefully oversaw the copying of his complete works into large, richly illuminated manuscripts. This was very rare for the time: most medieval composers remained anonymous, but he wanted his music and poetry to be preserved under his name for posterity.

In the service of King John of Luxembourg, King of Bohemia, Machaut traveled widely across Europe, taking part in the ruler's military campaigns. This blind king died heroically at the Battle of Crécy in 1346, but Machaut had already left his active service to devote himself to writing.

Machaut perfected musical and poetic forms known as the “formes fixes” (fixed forms): the rondeau, the ballade, and the virelai. He even wrote a rondeau, “Ma fin est mon commencement” (My end is my beginning), whose music can be read backward as well as forward, like a musical palindrome.

Primary Sources

Le Voir Dit (The True Tale) (c. 1364)
And because I cannot see you as often as I would wish, I send you my book, in which are all the things I have made for the love of you.
Prologue to the Complete Works (c. 1372)
Nature, who formed my person, commands me to make poems and songs in praise of ladies and of Love.
La Prise d'Alexandrie (The Taking of Alexandria, an account of the life of Peter I of Lusignan) (c. 1370)
I wish to tell and recount how the good king of Cyprus conquered the city of Alexandria through his great valor.
Messe de Nostre Dame (Mass of Our Lady) (c. 1360-1365)
Kyrie eleison, Christe eleison, Kyrie eleison.

Key Places

Reims

City in the Champagne region where Machaut was a canon of the cathedral and lived for most of his life. There he composed the Messe de Nostre Dame and died in 1377.

Notre-Dame de Reims Cathedral

Coronation site of the kings of France, where Machaut held his office as a canon. It was in this religious setting that he created his famous polyphonic mass.

Champagne (region of birth)

Region in northeastern France where Machaut is thought to have been born around 1300, perhaps in the village of Machault. His exact origins remain uncertain.

Prague and the Kingdom of Bohemia

Heart of the kingdom of John of Luxembourg, whose secretary Machaut was. He accompanied the king on his many travels across Europe.

Paris

Capital where the French court flourished and where the Ars nova developed. Machaut had ties there with the royal family, notably the future Charles V.

See also