Henry Purcell(1659 — 1695)

Henry Purcell

royaume d'Angleterre

6 min read

MusicCompositeur/triceEarly ModernBaroque England in the late 17th century, during the Stuart Restoration (the reigns of Charles II, James II, then William III and Mary II)

Henry Purcell was an English composer and organist of the Baroque era. Considered one of the greatest British composers, he left his mark on the music of the Stuart court and composed the opera Dido and Aeneas.

Frequently asked questions

Henry Purcell is the greatest English Baroque composer, active at the Stuart court under Charles II, James II and William III. Organist of Westminster Abbey and of the Chapel Royal, he embodies the music of the Restoration. What you need to remember is that he managed to fuse French and Italian influences with a unique English tradition, creating a style all his own that would leave a lasting mark on British music. His early death at 36 in 1695 left behind an immense legacy, but also the feeling of a genius cut short.

Key Facts

  • Born in 1659 in London, died prematurely in 1695 at the age of 36
  • Appointed organist of Westminster Abbey in 1679
  • Became composer to the royal court and organist of the Chapel Royal in 1682
  • Composed the opera Dido and Aeneas around 1689, including the famous Dido's Lament
  • Author of numerous incidental scores (King Arthur, The Fairy Queen) and royal odes

Works & Achievements

Didon et Énée (Dido and Aeneas) (vers 1689)

Purcell's only true opera, a concentrated masterpiece whose closing Lament of Dido is famous the world over.

King Arthur (1691)

A semi-opera on a libretto by John Dryden, blending spoken theatre and music, containing the famous ‘Frost Scene’.

The Fairy-Queen (1692)

A semi-opera after Shakespeare’s ‘A Midsummer Night’s Dream’, one of his most ambitious stage scores.

Music for the Funeral of Queen Mary (1695)

Solemn funeral music composed for the obsequies of Mary II, performed again at Purcell’s own death later that same year.

Ode for St Cecilia's Day ('Hail, Bright Cecilia') (1692)

A grand ode to the patron saint of musicians, celebrating the power of music.

Te Deum and Jubilate in D (1694)

A sacred work with trumpets for St Cecilia’s feast day, long performed at English ceremonies.

Fantaisies pour consort de violes (1680)

Refined instrumental pieces extending the great English tradition of the viol consort.

Anecdotes

Henry Purcell joined the choir of the Chapel Royal as a young boy chorister. When his voice broke around 1673, he left the choir but stayed at court as an organ tuner and copyist, keeping a foot in royal music while he waited to become a composer.

At only about 20 years old, in 1679, Purcell succeeded his teacher John Blow as organist of Westminster Abbey. In a rare gesture, Blow willingly handed over the post to him, a sign that he recognised the exceptional talent of his former pupil.

His only true opera, Dido and Aeneas, was probably first staged at a boarding school for young ladies in Chelsea run by Josias Priest, around 1689. The famous “Dido's Lament”, “When I am laid in earth”, built over a descending ground bass, remains one of the most moving arias in Baroque music.

Purcell composed the music for the funeral of Queen Mary II in 1695. A few months later, at his own death the same year, that same funeral music was played again for him, and he was buried with honours in Westminster Abbey, near the organ he had once played.

Purcell died on 21 November 1695, at only 36 years old. Legend has it that he caught a chill coming home late from the theatre to find the door locked by his wife, but others suggest tuberculosis; his early death deprived England of its greatest Baroque composer.

Primary Sources

Dido and Aeneas, libretto by Nahum Tate (c. 1689)
When I am laid, am laid in earth, may my wrongs create no trouble, no trouble in thy breast. Remember me, but ah! forget my fate.
Epitaph on Purcell's tomb, Westminster Abbey (1695)
Here lyes Henry Purcell Esq., who left this life and is gone to that blessed place where only his harmony can be exceeded.
Dedication of 'The Fairy-Queen' and Purcell's preface to 'The Prophetess' (Dioclesian) (1691)
Music and Poetry have ever been acknowledg'd Sisters, which walking hand in hand, support each other.

Key Places

Westminster, London

District where Purcell was born, lived and worked his entire life. The heart of English royal and religious power.

Westminster Abbey

Church where Purcell served as organist from 1679 and where he was buried in 1695, near the organ.

Chapel Royal, Palace of Whitehall

Home of the sacred music of the Stuart court, where Purcell served as organist and composer from 1682.

Chelsea, London

District that was home to Josias Priest's boarding school, the likely setting for the premiere of Dido and Aeneas.

Dorset Garden Theatre, London

London theatre where several of Purcell's semi-operas premiered, such as King Arthur and The Fairy-Queen.

See also