Lamia

Lamia

MythologyAntiquityGreek and Roman Antiquity

Lamia is a figure from Greek mythology, a queen of Libya loved by Zeus. Struck by Hera's jealousy, who stole her children from her, she became a devastating monster who devoured the children of others.

Key Facts

  • Lamia was originally a beautiful queen of Libya, beloved by Zeus
  • Hera, consumed by jealousy, is said to have stolen or killed her children
  • Cursed, Lamia transformed into a monster that devoured the children of mortals
  • She is described as half-woman, half-serpent in later sources
  • Aristophanes mentions her in his comedies (5th century BCE) as a figure of popular terror

Works & Achievements

Peace — Aristophanes (421 BC)

Comedy in which Lamia is mentioned as a figure of ugliness and moral looseness, attesting to her widespread notoriety in classical Athens.

Ars Poetica — Horace (c. 19 BC)

Horace cites Lamia to illustrate the limits of plausibility in literary fiction: even poetry must not stretch the bounds of the believable too far.

Library of History — Diodorus Siculus (1st century BC)

The primary source for the myth of Lamia as queen of Libya, providing a full account of her love affair with Zeus, Hera's jealousy, and her transformation into a child-devouring monster.

Life of Apollonius of Tyana — Philostratus (3rd century AD)

The account of the Lamia of Corinth unmasked by the philosopher — a foundational text that would inspire the entire subsequent Western literary tradition on vampires and succubi.

Lamia — John Keats (1820)

A Romantic English poem that draws directly on the Philostratus episode and rehabilitates the lamia as a tragic figure — as much victim as predator.

Anecdotes

Lamia was originally a beautiful queen of Libya, so captivating that Zeus himself fell in love with her. Their passionate affair drew the fury of Hera, whose jealousy knew no bounds. The goddess killed the children born of this union, condemning Lamia to endless grief.

In some versions of the myth, Hera, after destroying Lamia's children, granted her a strange consolation: the ability to remove her own eyes from their sockets and replace them at will. This sinister gift symbolized both her suffering and her now monstrous nature.

Mad with grief and rage, Lamia began devouring infants and young children whenever she could seize them, as though trying to fill the void left by the loss of her own. Her name became a threat that Greek mothers used to frighten disobedient children: 'Lamia will come for you!'

The neo-Pythagorean philosopher Apollonius of Tyana reportedly unmasked a lamia in Corinth in the 1st century AD, according to Philostratus. She had disguised herself as a beautiful woman to seduce a young man named Menippus, intending to devour him. Apollonius revealed her true nature during the wedding banquet, and the feast vanished like an illusion.

Lamia gave rise to an entire family of creatures: the 'Lamiai,' shape-shifting female demons who lured men with their beauty before consuming them. This mythological lineage illustrates how a tragic figure can be transformed, in the collective imagination, into an archetype of danger and temptation.

Primary Sources

Library of History — Diodorus Siculus (1st century BCE)
Lamia ruled over Libya and was renowned for her beauty. Zeus fell in love with her and lay with her; but Hera, consumed by jealousy, caused the children she had borne to perish. Lamia, mad with grief, began killing the children of others.
Life of Apollonius of Tyana — Philostratus (3rd century CE)
Apollonius cried out: 'You are nursing a lamia.' And when he had exposed her, the golden vessels, the food, and the servants all vanished; the lamia wept and begged Apollonius not to torment her, but he forced her to confess what she was: she had been fattening Menippus in order to devour him.
Ars Poetica — Horace (c. 19 BCE)
Nec pransae Lamiae vivum puerum extrahat alvo. (Nor should he drag a living child from the belly of a well-fed Lamia.)
Peace — Aristophanes (421 BCE)
You are just like the Lamia, who lets her guts loose when she is caught.

Key Places

Libya (Ancient North Africa)

Mythical kingdom of which Lamia was queen before being cursed by Hera. In ancient Greek geography, Libya referred to the entire known African continent.

Mount Olympus, Greece

Home of the Greek gods, where Zeus reigned and where Hera decided the fate of Lamia. It was from Olympus that Hera enacted her vengeance against the Libyan queen.

Corinth, Greece

The city where Philostratus set the episode of the lamia disguised as a beautiful woman, unmasked by Apollonius of Tyana. This real location anchors the myth in actual Greek geography.

Hades (Greek Underworld)

The realm of the dead to which Lamia is symbolically linked since the loss of her children. Her nocturnal wandering associates her with a creature of the underworld.

Gallery


Lamialabel QS:Len,"Lamia"

Lamialabel QS:Len,"Lamia"

Wikimedia Commons, Public domain — Herbert James Draper


Lamia

Lamia

Wikimedia Commons, Public domain — John William Waterhouse


Catalogue of the pictures in the National Portrait Gallery ..

Catalogue of the pictures in the National Portrait Gallery ..

Wikimedia Commons, Public domain — National Portrait Gallery (Great Britain)


A Treatise On Painting

A Treatise On Painting

Wikimedia Commons, Public domain — Leonardo Da Vinci

Ancient Greece Hellenistic Marble Statue of Nude Child Leaning on a Duck, 3rd C. BC, from Lamia

Ancient Greece Hellenistic Marble Statue of Nude Child Leaning on a Duck, 3rd C. BC, from Lamia

Wikimedia Commons, CC0 — Gary Todd from Xinzheng, China


British sculpture and sculptors of today

British sculpture and sculptors of today

Wikimedia Commons, Public domain — Spielmann, M. H. (Marion Harry), 1858-1948

Statue of Dadophorus 01

Statue of Dadophorus 01

Wikimedia Commons, CC BY-SA 2.0 — MumblerJamie

Statue of Dadophorus 02

Statue of Dadophorus 02

Wikimedia Commons, CC BY-SA 2.0 — MumblerJamie

Satiro che accena una danza, con pelle di pantera, da lamia, forse dall'acroterio del tempio di dioniso, III secolo ac

Satiro che accena una danza, con pelle di pantera, da lamia, forse dall'acroterio del tempio di dioniso, III secolo ac

Wikimedia Commons, CC BY-SA 4.0 — Francesco Bini

History of Greece Vol XII

History of Greece Vol XII

Wikimedia Commons, Public domain — George Grote

See also