Léopold Sédar Senghor(1906 — 2001)

Léopold Sédar Senghor

France, Sénégal

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LiteraturePoliticsPoète(sse)PolitiquePhilosophe20th Century20th century (1906–2001)

Senegalese poet, writer, and statesman (1906–2001), Senghor was the first president of independent Senegal. A leading theorist of the Négritude movement, he championed a humanist vision of African culture and left a lasting mark on twentieth-century Francophone literature.

Frequently asked questions

Léopold Sédar Senghor (1906-2001) was a Senegalese poet, writer, and statesman, the first president of independent Senegal. What you need to remember is that he was one of the founding fathers of Négritude, a literary and philosophical movement that restored dignity and pride to African cultures. His legacy is twofold: political, with a peaceful transition of power in 1980, and cultural, with a poetic body of work celebrating Africa and cultural blending.

Famous Quotes

« I think, therefore I am. I feel, therefore I exist. »
« Négritude is the simple recognition of the fact of being Black, and the acceptance of that fact, of our destiny as Black people, of our history and our culture. »
« Africa is the cradle of humanity. »

Key Facts

  • 1928–1956: Studies in France and involvement in the Négritude movement alongside Aimé Césaire
  • 1945–1960: Member of the French National Assembly representing Senegal, participating in independence negotiations
  • 1960: Became the first president of independent Senegal, governing until 1980
  • 1978: Elected to the Académie française, the first African figure to receive this distinction
  • 1984: Publication of his memoir 'Ce que je crois'

Works & Achievements

Chants d'ombre (1945)

Senghor's first poetry collection, exploring exile, nostalgia for Africa, and the beauty of Serer culture. It establishes the aesthetic and thematic foundations of his entire poetic work.

Hosties noires (1948)

A collection dedicated to African soldiers who died for France, blending funeral tribute with a denunciation of colonialism. It is one of the most moving works on the condition of the Senegalese tirailleurs.

Anthologie de la nouvelle poésie nègre et malgache de langue française (1948)

A foundational anthology compiled by Senghor, prefaced by Jean-Paul Sartre under the title 'Black Orpheus'. It established Négritude as a literary and political movement recognized on a global scale.

Éthiopiques (1956)

A collection considered the pinnacle of Senghor's poetic art, combining African rhythms, biblical imagery, and surrealist inspiration. The poem 'Chaka' reinterprets the history of the Zulu chief.

Liberté I – Négritude et Humanisme (1964)

The first volume of his political and cultural essays, which theorizes Négritude as Africa's contribution to universal civilization. A key reference work for understanding his philosophical thought.

Constitution du Sénégal (1960)

The founding document of the Republic of Senegal, drafted under Senghor's direct impetus, which enshrined the principles of democracy, secularism, and national unity in the fundamental law.

Élégies majeures (1979)

Senghor's last major poetry collection, published just before his political retirement, marked by a testamentary tone and a meditation on death, memory, and the universal.

Anecdotes

In 1935, Senghor passed the agrégation in grammar, becoming the first African to obtain this qualification from a French university. This exceptional achievement opened the doors of teaching in mainland France, where he taught in Parisian secondary schools before the war.

During the Second World War, Senghor was taken prisoner by the Germans in 1940. Held in a prisoner-of-war camp, he continued to write poems and refused to be released before his African comrades, out of solidarity with them.

In 1960, upon the proclamation of Senegal's independence, Senghor delivered a speech in Wolof and in French, a powerful symbolic gesture that illustrated his conviction that African languages and the French language could coexist and enrich one another.

In 1983, Senghor was elected to the Académie française, the first African to join this institution three centuries old. He occupied seat number 16 and was received by Marguerite Yourcenar, another great figure of the Francophone world.

Senghor was a passionate amateur musician and insisted that his poems be read with African musical accompaniment, particularly the kora or the balafon. He himself specified the instruments to be used in his collections, considering that poetry could not be separated from music.

Primary Sources

Shadow Songs – "Black Woman" (1945)
Naked woman, black woman / Clothed in your colour that is life, in your form that is beauty / I grew up in your shadow; the softness of your hands bandaged my eyes.
Speech on Negritude (1956)
Negritude is the sum of the cultural values of the Black world, as they are expressed in the life, institutions and works of Black people. It is not a racism; it is an awakening of consciousness, a solidarity.
Freedom I – Negritude and Humanism (1964)
Our vocation is to revive the values of Negritude, to integrate them into the current of human universalism. It is not a withdrawal into oneself; it is a contribution to the civilization of the Universal.
Epistles to the Princess – Letter to Aimé Césaire (1956)
We had dreamed together, you and I, of a new poetry that would be our own: rooted in the black earth, open to the four winds of the spirit.
Speech on Senegal's Independence (1960)
Senegal is free and independent. But independence is not an end in itself; it is the means to build together, in dignity and fraternity, a modern nation.

Key Places

Joal, Senegal

Senghor's birthplace on the Senegalese Petite Côte, the site of his Serer childhood that he celebrated abundantly in his poetry. Joal remains today a place of remembrance and literary pilgrimage.

Paris – Latin Quarter

The site of Senghor's intellectual formation in the 1930s, where he attended the Sorbonne and met Aimé Césaire to found the Négritude movement. The cafés and libraries of the Latin Quarter were the cradle of his earliest ideas.

Dakar – Presidential Palace

The seat of the Senegalese presidency, where Senghor governed from 1960 to 1980. It was from this palace that he led one of the most stable states in post-colonial Africa.

Verson, Normandy, France

The Norman town where Senghor spent his final years and died on 20 December 2001. His residence in Normandy illustrated the European dimension of his life and multiple identity.

University of Dakar (UCAD)

Founded during Senghor's presidency, this university was a cornerstone of his project for African intellectual development. It now bears the name of Cheikh Anta Diop University.

See also