Machiavelli(1469 — 1527)

Niccolò Machiavelli

République florentine

7 min read

PhilosophyPoliticsPhilosophePolitiqueÉcrivain(e)RenaissanceItalian Renaissance, 15th–16th century

Florentine philosopher and statesman (1469–1527), Machiavelli is the author of The Prince, a treatise that laid the foundations of modern political realism. He analyzes power as it is actually exercised, not as it should be, revolutionizing political thought during the Renaissance.

Frequently asked questions

Contrary to what his name sometimes suggests, Machiavelli was not a mere armchair theorist: he served as secretary of the Florentine chancellery for fourteen years, a direct observer of the power games of the Italian Renaissance. What makes him decisive is that he dared to describe politics as it is actually practiced, not as one would wish it to be. His major work, The Prince, written in 1513 while he was in exile, founded modern political realism by clearly separating morality from effectiveness. What should be remembered is that Machiavelli did not invent cynicism: he simply put words to practices that were already ancient.

Famous Quotes

« A prince must know how to act like a beast, and among beasts he must choose the lion and the fox. »
« It is better to be feared than loved, if you cannot be both. »
« Men are so simple and so readily governed by present necessities. »

Key Facts

  • 1469: Born in Florence
  • 1498–1512: Career in the service of the Florentine Republic as Secretary of the Chancery
  • 1513: Writing of The Prince, an analysis of political power based on empirical observation
  • 1520–1527: Publication of his major works (The Prince, Discourses on the First Decade of Titus Livius)
  • 1527: Death in Florence

Works & Achievements

The Prince (Il Principe) (written 1513, published 1532)

A political treatise addressed to Lorenzo de' Medici, analyzing how to seize and hold power. A founding work of modern political realism, it shocked readers with its sharp separation of morality from politics.

Discourses on the First Decade of Titus Livy (1513-1519, published 1531)

A commentary on the first ten books of the Roman historian, in which Machiavelli develops his republican thinking and his reflections on civic virtues and freedom.

The Art of War (Dell'arte della guerra) (1521)

The only major work published during Machiavelli's lifetime, written in dialogue form. In it he argues for a national citizen army as opposed to reliance on mercenaries.

The Mandrake (La Mandragola) (c. 1518)

A satirical comedy considered one of the finest plays of the Italian Renaissance. It portrays the mechanics of cunning and seduction with humor and cynicism.

Florentine Histories (Istorie fiorentine) (1525)

A history of Florence commissioned by Pope Clement VII (a Medici), tracing the city's political evolution from its origins through the fifteenth century. Machiavelli applies his method of analyzing political forces throughout.

The Life of Castruccio Castracani (1520)

A semi-historical, semi-fictional biography of a fourteenth-century condottiere, used by Machiavelli to illustrate his theories on the ideal military and political leader.

Anecdotes

After the fall of the Florentine Republic in 1512, Machiavelli was accused of plotting against the Medici, arrested, and tortured. He denied any involvement and was eventually released, but this painful experience of political disgrace deeply shaped his thinking about power and fortune.

Machiavelli wrote *The Prince* in just a few weeks in 1513, from his country house at Sant'Andrea in Percussina, where he had been sent into exile. He hoped to offer the work to the Medici in order to regain their favor and secure a post in the Florentine administration — to no avail.

Each evening, Machiavelli would put on his court clothes before sitting down at his writing table. He described this himself in a letter to his friend **Francesco Vettori**: he would change into fine dress to enter the company of the great men of Antiquity, as if paying them a visit.

Machiavelli served as secretary of the Florentine chancellery for fourteen years, from **1498** to **1512**. As a diplomat, he encountered figures as formidable as **Cesare Borgia**, Pope **Julius II**, and Emperor **Maximilian I** — encounters that directly informed his political analyses.

According to an anecdote passed down by his contemporaries, Machiavelli is said to have declared on his deathbed that he would rather go to hell with the great political and military figures than to heaven with the saints. Whether true or legendary, this quip captures both his sharp wit and his sulfurous reputation.

Primary Sources

The Prince (Il Principe) (1513 (posthumous publication 1532))
It is necessary for a prince, if he wishes to maintain himself, to learn how to be able not to be good, and to use this or not use it according to necessity.
Discourses on the First Decade of Titus Livy (1513–1519 (published 1531))
Men do good out of necessity; but as soon as they have freedom of choice and enjoy too much liberty, everything is at once filled with confusion and disorder.
Letter to Francesco Vettori (10 December 1513) (10 December 1513)
When evening comes, I return home and enter my study. On the threshold I take off my workday clothes, covered with mud and dirt, and put on the garments of court and palace.
The Art of War (Dell'arte della guerra) (1521)
A prince who understands nothing of war cannot be respected by his soldiers, nor can he rely on them.
Florentine Histories (Istorie fiorentine) (1525)
Florence has always been torn by factions, and its citizens have never been able to live in peace or concord.

Key Places

Florence, Palazzo della Signoria

Seat of the Florentine government where Machiavelli worked for fourteen years as a secretary. It was here that he closely observed the mechanics of republican power.

Sant'Andrea in Percussina (San Casciano)

The family estate where Machiavelli was exiled after 1512. It was in this country house that he wrote *The Prince* and maintained his famous correspondence.

Rome, Papal States

Machiavelli traveled to Rome several times on diplomatic missions and closely observed papal power — notably Julius II and Leo X — whom he analyses in *The Prince*.

Cesena and Imola (Romagna)

Towns where Machiavelli met Cesare Borgia in 1502. This pivotal encounter inspired his model of the bold, unscrupulous prince described throughout his work.

Biblioteca Medicea Laurenziana, Florence

Founded by the Medici, this library was the intellectual heart of the Florentine Renaissance. Machiavelli drew on its ancient manuscripts to shape his political thought.

See also