Mikhail Baryshnikov(1948 — ?)

Mikhail Baryshnikov

États-Unis, Lettonie, Union soviétique

6 min read

Performing Arts20th CenturyThe Cold War and the second half of the 20th century: a Soviet artist who fled to the West, embodying the cultural influence and fractures between the USSR and the United States.

Dancer and choreographer of Latvian origin, considered one of the greatest classical dancers of the 20th century. Trained at the Vaganova school in Leningrad, he defected to the West in 1974 and became a major figure in American ballet, before turning to contemporary dance, theater, and film.

Frequently asked questions

Mikhail Baryshnikov (born in 1948 in Riga, in Soviet Latvia) is considered one of the greatest classical dancers of the 20th century. What makes him singular is that he embodies both the technical excellence of Russian ballet — trained at the famous Vaganova Academy in Leningrad — and a journey toward artistic freedom: in 1974, he defected to the West during a tour in Toronto, fleeing Soviet control so he could dance whatever he wanted. The key thing to remember is that his life sums up the cultural fractures of the Cold War: an artist who went from the USSR to the United States, became a star of American Ballet Theatre and then a popular actor.

Famous Quotes

« I do not try to dance better than anyone else. I only try to dance better than myself.»

Key Facts

  • Born in 1948 in Riga, in Soviet Latvia, he trained at the prestigious Vaganova school in Leningrad
  • Became a principal dancer at the Kirov Theatre (Mariinsky) in the early 1970s
  • Defected to the West during a tour in Canada in June 1974
  • Danced for and then led the American Ballet Theatre (artistic director from 1980 to 1989)
  • Nominated for an Oscar for his role in the film The Turning Point (1977)

Works & Achievements

Giselle (role of Albrecht) (1970s)

A classical interpretation that reveals his flawless technique and deep emotion; one of his signature roles at American Ballet Theatre.

Don Quixote (Basilio) (1978)

A virtuoso role in which his spectacular leaps dazzle audiences; he also makes a very famous filmed version of it.

The Turning Point (1977)

A film that earns him an Academy Award nomination and introduces him to the wider American public.

The Nutcracker (filmed version) (1977)

A widely broadcast television recording that introduces classical ballet to millions of viewers.

White Oak Dance Project (1990)

A contemporary dance company co-founded with Mark Morris, marking his move from classical ballet to modern creation.

Role of Aleksandr Petrovsky in Sex and the City (2003-2004)

A television appearance that extends his acting career and confirms his place in popular culture.

Baryshnikov Arts Center (2005)

A major achievement off the stage: a New York venue dedicated to artistic creation and support for artists.

Anecdotes

In June 1974, during a Bolshoi tour in Canada, Baryshnikov gave his Soviet minders the slip as he left a performance in Toronto. He ran across the parking lot, jumped into a waiting car and requested political asylum: at 26, he had just left the USSR for good.

His small stature (about 1.70 m / 5'7") could have kept him out of classical ballet, but his extraordinary elevation let him leap so high and so far that he seemed to hang in the air. Critics spoke of a dancer who defied gravity.

In 1977, he earned an Academy Award nomination for his role in the film *The Turning Point*, in which he plays a seductive dancer: a rare Hollywood recognition for an artist who came from the world of ballet.

In the 1980s, he became an icon of American popular culture by playing the Russian painter Aleksandr in the television series *Sex and the City*, proving he could move from the classical stage to mainstream screens.

Born in Riga, in what was then Soviet Latvia, Baryshnikov was never able to return there while the USSR still existed. Marked by his own exile, he long supported causes promoting artistic freedom and human rights.

Primary Sources

Baryshnikov's statement on his defection (press, 1974) (1974)
“I wanted to dance what I wanted to dance, the way I wanted to.” Baryshnikov explains that his departure was first and foremost about the freedom to create and to explore new repertoires.
Baryshnikov at Work (book, texts and photographs) (1976)
A collection in which Baryshnikov comments on his classical roles and his understanding of a dancer's craft, presenting his interpretations of *Giselle*, *Swan Lake* and *Don Quixote*.
Interviews on the creation of the White Oak Dance Project (1990)
Here Baryshnikov describes his desire, together with Mark Morris, to found a company devoted to American contemporary dance rather than to classical ballet alone.

Key Places

Riga, Latvia

Baryshnikov's birthplace, then the capital of the Latvian Soviet Socialist Republic. He spent his childhood here before leaving to study dance.

Vaganova Ballet Academy, Saint Petersburg (Leningrad)

The famous school that trains dancers in the Russian tradition. Baryshnikov learned there the rigorous technique that would make his name.

Mariinsky Theatre (Kirov Ballet), Leningrad

The great stage where Baryshnikov began his professional career with the Kirov Ballet before his defection.

Toronto, Canada

The city where, in 1974, Baryshnikov slipped away from his Soviet minders to seek asylum in the West during a tour.

American Ballet Theatre, New York

The company he joined as a principal dancer in 1974, then directed from 1980 to 1989. The heart of his American career.

Baryshnikov Arts Center, New York

The arts creation center he founded in 2005 in Manhattan to support dancers and performing artists.

See also