Muse

Muse

6 min read

MythologyAntiquityGreek antiquity, figures of classical mythology handed down by ancient poets and authors

In Greek mythology, the Muses are the nine goddesses of the arts, sciences, and inspiration. Daughters of Zeus and the Titaness Mnemosyne (Memory), they preside over poetry, music, dance, and knowledge.

Frequently asked questions

The Muses are the nine goddesses of the arts, sciences and inspiration, daughters of Zeus and Mnemosyne, Memory itself. The key thing to remember is that they do not merely inspire artists: they preside over the oral transmission of knowledge in a civilization where poetry is recited without writing. Each one rules over a specific domain, from epic poetry (Calliope) to astronomy (Urania). Their name gave rise to the words music and museum, proof of their cultural imprint.

Key Facts

  • Daughters of Zeus and Mnemosyne (goddess of Memory), conceived over nine successive nights
  • Nine in number, a count notably set by Hesiod in the Theogony (around 700 BC)
  • Each presides over an art or domain: Calliope (epic poetry), Clio (history), Erato (lyric poetry), Euterpe (music), Melpomene (tragedy), Polyhymnia (rhetoric/sacred song), Terpsichore (dance), Thalia (comedy), Urania (astronomy)
  • Associated with the god Apollo (Apollo Musagetes, leader of the Muses) and dwelling on Mount Helicon and Mount Parnassus
  • The origin of the words “music,” “museum,” and “mosaic”

Works & Achievements

Inspiration for the Iliad and the Odyssey (8th c. BC)

The Muse is invoked to sing of the wrath of Achilles and the travels of Odysseus: the Muses are presented as the source of the two great epics.

Revelation to Hesiod (Theogony) (c. 700 BC)

The Muses teach their song to Hesiod on Mount Helicon, inspiring him to recount the birth of the gods.

Contest against the Pierides (myth recorded c. AD 8)

Victory of the Muses over the daughters of Pierus, who are turned into magpies: an illustration of their supremacy in the arts.

Patronage of the nine arts (ancient tradition)

Each Muse presides over a domain (epic poetry, history, dance, astronomy…), shaping the ancient conception of the arts and forms of knowledge.

Songs at the banquets of Olympus (mythological tradition)

The Muses delight the gods with their songs during divine feasts, accompanied by Apollo Musagetes.

Inspiration for Latin poetry (1st c. BC)

Virgil and the Roman poets take up the invocation to the Muse, passing the Greek tradition on to Western culture.

Anecdotes

The Muses number nine, and each one presides over a specific art: Calliope (epic poetry), Clio (history), Erato (lyric and love poetry), Euterpe (music and the flute), Melpomene (tragedy), Polyhymnia (sacred song and rhetoric), Terpsichore (dance), Thalia (comedy), and Urania (astronomy). This distribution became firmly established especially in the Roman period, since ancient authors did not always agree on each Muse's domain.

The poet Hesiod recounts in the *Theogony* that the Muses appeared to him while he was tending his sheep at the foot of Mount Helicon. They are said to have breathed their song into him and given him a branch of laurel, making him a poet: this is one of the earliest accounts in which an author claims divine inspiration.

Their mother is Mnemosyne, the goddess of Memory, and their father is Zeus: according to the myth, they joined together for nine nights in a row. This connection with memory is no accident, for in a world where poetry was passed on mainly by word of mouth, memorizing verses by heart was the very work of the artist.

The word “music” comes directly from the Muses (*mousikê* in Greek, “the art of the Muses”), just like the word “museum,” which originally referred to a sanctuary dedicated to these goddesses. The most famous was the *Mouseîon* of Alexandria, an immense center of learning that housed the celebrated library.

According to a legend reported by Pausanias, nine young women called the Pierides dared to challenge the Muses in a singing contest. Defeated and punished for their pride, they were turned into magpies, condemned to endlessly repeat a shrill, chattering babble.

Primary Sources

Hesiod, Theogony (c. 700 BC)
Let us begin our song with the Muses of Helicon, who dwell on the great and sacred mountain of Helicon. [...] It was they who once taught Hesiod a beautiful song, while he was tending his sheep at the foot of divine Helicon.
Homer, Iliad (Book I) (8th century BC)
Sing, goddess, the wrath of Achilles, son of Peleus.
Homer, Odyssey (Book I) (8th century BC)
Tell me, Muse, of the man of many turns, who wandered so many years after he had destroyed the sacred citadel of Troy.
Pausanias, Description of Greece (Boeotia) (2nd century AD)
The first to sacrifice on Helicon to the Muses and to consecrate the mountain to them were, it is said, the Aloadae, who reckoned their number as three.
Ovid, Metamorphoses (Book V) (c. AD 8)
The Pierides, defeated, heap abuse upon the goddesses; then feathers sprout from their fingers, their mouths harden into beaks: turned into magpies, they keep in the woods their love of chatter.

Key Places

Mount Helicon (Boeotia)

Sacred mountain of the Muses, where Hesiod says he encountered them; their sacred grove and sanctuaries were found there.

Mount Parnassus (Delphi)

Peak consecrated to Apollo and the Muses, towering over the sanctuary of Delphi; the Castalian Spring was associated with inspiration.

Mount Olympus

Home of the gods where the Muses, daughters of Zeus, sing at the divine banquets to delight the assembly of the Olympians.

Pieria (Macedonia)

Region at the foot of Olympus from which the Muses derive the epithet “Pierides,” regarded as their place of origin.

Mouseion of Alexandria

Sanctuary of the Muses founded under the Ptolemies, a center of learning that housed the great Library of Alexandria.

See also