Pausanias
Pausanias
6 min read
Pausanias was a Greek geographer and traveler of the 2nd century AD. His work, the “Description of Greece” (Periegesis), describes in detail the monuments, sanctuaries, cults, and works of art of the Greek cities. It is a primary archaeological and religious source.
Frequently asked questions
Key Facts
- Active in the 2nd century AD, probably a native of Asia Minor (the region of Lydia)
- Author of the “Description of Greece” (Periegesis) in ten books, around 160-180 AD
- Methodically describes the cities, temples, and works of art of mainland Greece (Attica, Corinthia, Laconia, Arcadia...)
- A major source on the cults and depictions of the deities, including that of Ares
- His descriptions guided modern archaeological excavations (Olympia, Delphi)
Works & Achievements
Opening of the work devoted to Athens and its surroundings. A major source on the ancient Acropolis and Agora.
Describes Corinth, Mycenae and Epidaurus. Invaluable for the history of the healing sanctuary of Asclepius.
Covers Sparta and the history of the Messenian Wars, which he is one of the few authors to recount in detail.
A double book on the sanctuary of Olympia, the Games and the statue of Zeus. An essential reference for the archaeology of the site.
Describes the cities of the northern and central Peloponnese, rich in local cults and rural legends.
The last surviving book, focused on the oracle of Delphi. The only testimony on the lost frescoes of Polygnotus.
Anecdotes
Pausanias travelled on foot across most of mainland Greece to write his *Description of Greece*. He visited every sanctuary, recorded the statues and inscriptions, and listened to local guides: his text is so precise that archaeologists still use it today to identify ruins.
Thanks to Pausanias, we know what the gigantic statue of **Zeus** at **Olympia** looked like — one of the Seven Wonders of the World, sculpted by **Phidias**. Since the statue vanished in antiquity, his detailed description is one of our rare sources on this masterpiece of gold and ivory.
Pausanias was sometimes sceptical about the legends he was told. When a myth seemed implausible to him, he pointed it out, but he still reported the local beliefs out of respect for the religious traditions of the cities.
At the sanctuary of **Delphi**, Pausanias carefully described the paintings by **Polygnotus** depicting the Trojan War and the Underworld. Since these frescoes have completely disappeared, his account is the only way to imagine them today.
Pausanias was also interested in natural curiosities and unusual objects: he mentions the bones of “giants” (probably fossils of prehistoric animals) that the Greeks interpreted as the remains of mythical heroes.
Primary Sources
On the Greek mainland, coming from the Cyclades islands and the Aegean Sea, you reach Cape Sounion, a promontory of the land of Attica. When you have rounded the cape, there is a harbour and a temple of Athena Sounias at the summit of the headland.
The god is seated on a throne; he is made of gold and ivory. On his head rests a wreath imitating the shoots of the olive tree. In his right hand he holds a Victory, also of ivory and gold.
On the wall Polygnotus has painted the capture of Ilium and the departure of the Greeks; on the other side, Odysseus descended to the Underworld to question the spirit of Tiresias about his homecoming.
Key Places
Probable region of origin of Pausanias, near Mount Sipylus. He refers to it several times as his homeland.
Great sanctuary of Zeus in the Peloponnese, to which Pausanias devotes two entire books. There he describes the statue by Phidias and the course of the Games.
Sanctuary of Apollo and seat of the oracle, meticulously described in Book X. Pausanias details the paintings by Polygnotus and the treasuries of the city-states.
The city whose visit opens his work (Book I). There he describes the Acropolis, the Agora and the recent monuments funded by the Roman emperors.
Commercial crossroads of the Peloponnese, rebuilt by Rome after its destruction in 146 BC. There Pausanias observes the blending of Greek and Roman cultures.
A city of Arcadia that Pausanias describes with particular care, providing valuable information about the cults and local history of this mountainous region.
