T. S. Eliot(1888 — 1965)

T. S. Eliot

États-Unis, Royaume-Uni

7 min read

LiteraturePoète(sse)Dramaturge20th CenturyFirst half of the 20th century, marked by the two World Wars and the modernist avant-garde

American-born poet, playwright and literary critic who became a British citizen, a major figure of modernism. His poem *The Waste Land* (1922) transformed Western poetry; he received the Nobel Prize in Literature in 1948.

Frequently asked questions

T. S. Eliot, born in 1888 in St. Louis and died in London in 1965, is one of the most influential figures of literary modernism. What you need to remember is that he transformed Western poetry by publishing The Waste Land in 1922, a mosaic poem that blends voices, languages and quotations to evoke a civilization in ruins after the First World War. Less a mere poet than a theorist of literature, he also reinvented criticism through his essays, such as Tradition and the Individual Talent, in which he argues that every artist is part of a continuity with the dead. In 1948, he received the Nobel Prize in Literature, thus enshrining modernist daring.

Famous Quotes

« April is the cruellest month.»
« This is the way the world ends / Not with a bang but a whimper.»

Key Facts

  • Born in 1888 in St. Louis, Missouri, in the United States
  • Publication of *The Love Song of J. Alfred Prufrock* in 1915
  • Release of *The Waste Land* in 1922, a manifesto of modernism
  • Became a British citizen in 1927
  • Nobel Prize in Literature in 1948; died in London in 1965

Works & Achievements

The Love Song of J. Alfred Prufrock (1915)

Eliot's first major poem, an interior monologue of a man paralysed by indecision. It heralds a new kind of poetry, ironic and fragmented.

The Waste Land (1922)

An emblematic poem of modernism, a mosaic of voices, languages and quotations evoking a civilisation in ruins after the war. The most studied work of the 20th century in English.

The Hollow Men (1925)

A bleak poem on the spiritual emptiness of the age, famous for its ending: “Not with a bang but a whimper.”

Ash-Wednesday (1930)

A long religious poem marking Eliot's conversion to Anglicanism and his spiritual quest.

Murder in the Cathedral (1935)

A verse play about the murder of Archbishop Thomas Becket in 1170. It revived poetic drama in the 20th century.

Old Possum's Book of Practical Cats (1939)

A collection of whimsical poems about cats, the source of the musical *Cats* (1981).

Four Quartets (1943)

A cycle of four meditative poems on time, memory and eternity. Regarded as his mature masterpiece.

Anecdotes

For years, T. S. Eliot led a double life: by day, he worked as a clerk at Lloyds Bank in London, managing foreign accounts; in the evenings and at night, he wrote some of the most revolutionary poems of the 20th century. His fellow bankers often had no idea they were rubbing shoulders with a future Nobel laureate.

When Eliot finished *The Waste Land*, the manuscript was nearly twice as long. His friend, the poet Ezra Pound, cut it mercilessly, deleting entire passages. In gratitude, Eliot dedicated the poem to him, calling him *il miglior fabbro* (“the better craftsman” in Italian).

In 1939, Eliot published *Old Possum's Book of Practical Cats*, a collection of whimsical poems about cats that he had first written to amuse his godchildren. Decades later, in 1981, this little book inspired *Cats*, one of the most performed musicals in history.

Born American in St. Louis, Eliot settled in England in 1914 and eventually applied for British citizenship in 1927, the same year he converted to Anglicanism. He described himself as “classicist in literature, royalist in politics, and anglo-catholic in religion.”

In 1948, Eliot received both the Nobel Prize in Literature and the British Order of Merit. That same year, worldwide recognition turned this reserved, almost shy man into a genuine literary celebrity whom crowds flocked to hear at public lectures.

Primary Sources

The Love Song of J. Alfred Prufrock (1915)
Let us go then, you and I, / When the evening is spread out against the sky / Like a patient etherised upon a table.
The Waste Land (1922)
April is the cruellest month, breeding / Lilacs out of the dead land, mixing / Memory and desire, stirring / Dull roots with spring rain.
The Hollow Men (1925)
This is the way the world ends / Not with a bang but a whimper.
Tradition and the Individual Talent (essay) (1919)
No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists.
Nobel Prize acceptance speech (1948)
Poetry is usually considered the most local of all the arts... yet I think that the work of the poet, in the language of any one nation, is something which concerns all peoples.

Key Places

St. Louis, Missouri (United States)

Eliot's birthplace on the banks of the Mississippi, where he grew up in a cultured family. The river would leave a lasting mark on his poetic imagination.

Harvard University, Cambridge (Massachusetts)

Eliot studied philosophy and literature here from 1906 to 1914, laying the foundations of his vast erudition. He even began a doctorate on the philosopher Bradley.

Merton College, Oxford (England)

Eliot won a scholarship to study philosophy at Oxford in 1914-1915. This stay permanently rooted his life in England.

London (England)

Eliot lived and worked in London for most of his life, at Lloyds Bank and then at Faber & Faber. The capital lies at the heart of the urban landscape of *The Waste Land*.

East Coker, Somerset (England)

The ancestral village from which his family emigrated to America in the 17th century, and which gives its title to one of the *Four Quartets*. Eliot's ashes rest there in St Michael's Church.

Paris (France)

Eliot stayed here in 1910-1911 to study at the Sorbonne and discovered French Symbolist poetry. This influence transformed the way he wrote.

See also