Leonardo da Vinci(1452 — 1519)

Leonardo da Vinci

République florentine

9 min read

Visual ArtsSciencesArtisteInventeur/triceScientifiqueRenaissance15th–16th century, Italian Renaissance

Italian Renaissance painter, sculptor, architect, and engineer (1452–1519), Leonardo da Vinci embodies the ideal of the universal man. Creator of the Mona Lisa and The Last Supper, he revolutionized art through perspective and scientific observation, while pursuing research in anatomy, botany, and engineering.

Frequently asked questions

To understand Leonardo da Vinci, imagine a man who was not content to be just a painter: he was also a sculptor, architect, engineer, anatomist, and musician. What makes him unique is that he embodied the Renaissance ideal of the uomo universale, a mind capable of excelling in all fields of knowledge. Born in 1452 in Vinci, Tuscany, he left his mark on his era with works like Mona Lisa and The Last Supper, but also with scientific and technical research centuries ahead of its time. The key takeaway is that Leonardo never separated art from science: for him, observing nature and reproducing it were one and the same endeavor.

Famous Quotes

« Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen. »
« Art is the queen of all sciences. »
« Learn to see. »
« He who loves practice without theory is like the sailor who boards ship without a rudder and compass. »

Key Facts

  • 1472: Enrolled in the Florence guild, recognized as a master painter
  • 1495–1498: Paints The Last Supper in the refectory of Santa Maria delle Grazie convent in Milan
  • 1503–1519: Paints the Mona Lisa, a portrait that became one of the most famous works in the history of art
  • 1489–1519: Produces hundreds of study drawings on human anatomy, flying machines, and hydraulics
  • 1516: Appointed first painter, engineer, and architect to King Francis I of France, spending his final years in Amboise

Works & Achievements

The Mona Lisa (Portrait of Lisa Gherardini) (vers 1503-1517)

Oil portrait on wood panel housed in the Louvre, considered the most famous painting in the world. Leonardo displays his mastery of sfumato, creating an enigmatic smile and an atmospheric landscape of unparalleled subtlety.

The Last Supper (Il Cenacolo) (1495-1498)

Monumental mural painted on the wall of the refectory of Santa Maria delle Grazie in Milan, depicting the last meal of Christ. A masterpiece of narrative composition, it revolutionized the representation of human emotions in painting.

The Virgin of the Rocks (vers 1483-1486 (first version) / 1495-1508 (second version))

Altarpiece depicting the Virgin, the infant Jesus, Saint John the Baptist, and an angel in a rocky landscape. Leonardo's first major work entirely by his own hand, it illustrates his poetic conception of light and nature.

Anatomical Drawings (Windsor series) (vers 1489-1513)

A collection of over 200 anatomical drawings made from dissections, depicting muscles, skeleton, organs, and the vascular system with unprecedented precision. They anticipate modern medicine by several centuries.

Flying Machine Design (ornithopter) (vers 1485-1490)

Drawings and calculations recorded in the Codex on the Flight of Birds, proposing a flapping-wing machine inspired by avian anatomy. Although never built, this invention demonstrates an extraordinary aerodynamic intuition.

Armored Fighting Vehicle (vers 1487)

Design for an armored war machine drawn for Ludovico Sforza, a precursor to the modern tank. The vehicle, shaped like a flattened cone, was to be operated by men inside and equipped with cannons all around.

Vitruvian Man (vers 1490)

Famous drawing depicting a man with ideal proportions inscribed within a circle and a square, illustrating the theories of the Roman architect Vitruvius. It has become the universal symbol of Renaissance humanism.

Anecdotes

Leonardo da Vinci was left-handed and wrote in mirror script, from right to left, so that his notebooks could only be read by holding them up to a mirror. This habit intrigued his contemporaries, some of whom saw it as a deliberate secret to protect his discoveries.

Leonardo is said to have bought caged birds at the markets of Florence solely to release them. This gesture, recounted by his biographer Giorgio Vasari, reflects his deep sensitivity toward nature and living creatures — he was a vegetarian by conviction.

The Mona Lisa was painted over several years, between approximately 1503 and 1517. Leonardo carried it with him everywhere and never parted with it, continually retouching it until his death. It was not commissioned for a great palace, but most likely for a Florentine merchant named Francesco del Giocondo.

To paint with unmatched anatomical precision, Leonardo performed dissections on more than thirty human corpses, with the consent of certain hospitals. He produced anatomical drawings of such accuracy that they were not surpassed until several centuries later.

Leonardo designed flying machines, armored vehicles, and movable bridges long before their technical realization. His notebooks reveal a mind centuries ahead of his time, even though most of his inventions remained as drawings, for lack of suitable materials.

Primary Sources

Codex Atlanticus (vers 1478-1519)
"The bird is an instrument working according to mathematical laws, and it is within the power of man to reproduce it with all its movements."
Anatomical Notebooks (Windsor Collection) (1489)
"This night of the 2nd of April 1489, I began this book on the human body."
Codex Leicester (vers 1504-1508)
"Water is the driving force of nature. It obeys constant rules that man can observe and imitate for his benefit."
Treatise on Painting (Trattato della pittura), compiled by Francesco Melzi (compilé vers 1540, basé sur les notes de Léonard)
"The painter must above all have a mind like a mirror, which takes on the color of the object placed before it."
Letter to Ludovico Sforza (Duke of Milan) (vers 1482)
"I can build very light and strong bridges, easy to carry; and with them pursue and flee the enemy. I also know ways to burn and demolish the enemy's bridges."

Key Places

Vinci, Tuscany (Italy)

Leonardo's birthplace, nestled in the Tuscan hills between Florence and Pisa. The luminous, rolling landscape of his youth had a lasting influence on the backgrounds of his paintings.

Florence (Italy)

The city where Leonardo completed his apprenticeship in Verrocchio's workshop and painted his first major works. Florence was at the time the world center of artistic and intellectual Renaissance.

Milan (Italy)

Leonardo lived there for nearly twenty years at the Sforza court, completing The Last Supper and developing his hydraulic and military engineering projects. Milan was the main stage of his creative maturity.

Clos Lucé, Amboise (France)

The residence where Leonardo spent the last three years of his life, invited by Francis I. It is there that he died in 1519, surrounded by his notebooks and his pupils.

Rome (Italy)

Leonardo stayed there between 1513 and 1516 under the patronage of the Medici, in an artistic landscape dominated by Michelangelo and Raphael. His Roman sojourn was less productive, but nourished his later reflections.

See also