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Portrait de Mary Shelley

Mary Shelley

Mary Shelley

1797 — 1851

Royaume-Uni

LiteratureÉcrivain(e)19th CenturyFrankenstein, inventor of science fiction

Peerage person ID=695563

Émotions disponibles (6)

N

Neutre

par défaut

I

Inspirée

P

Pensive

S

Surprise

T

Triste

F

Fière

Key Facts

    Works & Achievements

    Frankenstein or The Modern Prometheus (1818)

    Mary Shelley's first and most celebrated novel, considered the founding text of science fiction. It raises ethical questions about the artificial creation of life and the creator's responsibility toward their creature.

    The Last Man (1826)

    A dystopian novel set at the end of the 21st century, depicting the gradual extinction of humanity through a worldwide epidemic. Poorly received upon publication, it is now recognized as a masterpiece of post-apocalyptic literature.

    Valperga (1823)

    A historical novel set in 14th-century medieval Italy. Mary Shelley develops a reflection on power and tyranny, demonstrating her mastery of novelistic genres beyond the realm of the fantastical.

    Mathilda (1820 (published in 1959))

    A short autobiographical novel exploring depression and grief, written after the deaths of her children. Deemed too dark by her father William Godwin, it remained unpublished during Mary Shelley's lifetime and was not released until the 20th century.

    Lives of the Most Eminent Literary and Scientific Men (1835-1839)

    A series of literary biographies commissioned for the Cabinet Cyclopædia. Mary Shelley displays remarkable erudition throughout, contributing to the dissemination of European culture in England.

    Poetical Works of Percy Bysshe Shelley (critical edition) (1839)

    A complete edition of Percy Shelley's poems, annotated and prefaced by Mary. This monumental work preserves her husband's writings and secures his place in the Romantic literary canon.

    Anecdotes

    During the summer of 1816, Mary Godwin — not yet Shelley — found herself at the Villa Diodati on the shores of Lake Geneva with Percy Shelley, Lord Byron, and John Polidori. Relentless rain caused by the eruption of Mount Tambora confined them indoors. Byron issued a challenge: each must write a ghost story. It was thus that the idea for Frankenstein was born, in the mind of an eighteen-year-old woman.

    Mary Shelley was the daughter of two celebrated philosophers: William Godwin, father of modern anarchism, and Mary Wollstonecraft, author of 'A Vindication of the Rights of Woman'. Her mother died eleven days after her birth, and Mary grew up reading her works at her grave in St Pancras Churchyard. This intense relationship with death and creation would profoundly shape her novel.

    Percy Shelley encouraged Mary to develop her nightmare story into a novel. Published in 1818, Frankenstein; or, The Modern Prometheus first appeared anonymously, preceded by a preface written by Percy. Most readers assumed a man was the author. It was not until 1823 that the second edition revealed Mary Shelley's name.

    In 1814, Mary eloped to Europe with Percy Shelley, a married man, accompanied by her half-sister Claire Clairmont. This bold journey — which scandalized respectable London society — took her through Switzerland and Germany, and introduced her to the city of Ingolstadt, which she chose as the setting for Doctor Frankenstein's experiments.

    Following the death of Percy Shelley, who drowned in 1822, Mary declined several marriage proposals and devoted her life to editing and publishing her husband's works. She raised their son Percy Florence alone while continuing to write novels, short stories, and biographical essays to support them.

    Primary Sources

    Frankenstein or The Modern Prometheus (preface to the 1818 edition) (1818)
    I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life.
    Mary Shelley's Journal (entry of July 24, 1816) (1816)
    Write my story. Read. Walk. Talk with Lord Byron and Shelley. Write.
    Letter from Mary Shelley to Leigh Hunt (1823)
    I am sadly deficient in the self-sufficiency which is necessary to withstand the world — I feel every unkindness acutely.
    Introduction to the 1831 edition of Frankenstein (1831)
    It is not singular that, as the daughter of two persons of distinguished literary celebrity, I should very early in life have thought of writing. As a child I scribbled; and my favourite pastime during the hours given me for recreation was to write stories.

    Key Places

    Villa Diodati, Cologny (Switzerland)

    It is in this villa overlooking Lake Geneva that Mary conceived Frankenstein during the summer of 1816. The place has become a symbol of the birth of modern fantasy and science fiction literature.

    Somers Town, London (England)

    Mary grew up in this working-class district of London, between her father William Godwin's house and St Pancras Cemetery where her mother is buried. It is in this neighbourhood that she learned to read at the grave of Mary Wollstonecraft.

    Lerici, Gulf of La Spezia (Italy)

    Mary and Percy settled in this Italian coastal town in 1822. It is there that Percy Shelley drowned during a storm. The place represents both the beauty of Romantic Italy and Mary's personal tragedy.

    Ingolstadt (Germany)

    Bavarian city chosen by Mary Shelley as the setting for Doctor Frankenstein's experiments, in reference to its university founded in 1472. She places there the secret laboratory where the creature comes to life.

    Chester Square, London (England)

    Mary Shelley spent the last years of her life in this Victorian London neighbourhood, under the care of her son Percy Florence. It is there that she died in 1851, surrounded by her manuscripts and her husband's works.

    Typical Objects

    Quill and inkwell

    Mary Shelley wrote all her novels and journals with a quill pen, an everyday tool in the intellectual life of the 19th century. She wrote Frankenstein largely by hand, encouraged by Percy to transform her nightmare into a literary work.

    Natural philosophy book

    Galvani's work on animal electricity and experiments conducted on the bodies of condemned men captivated Mary Shelley's generation. These works of 'natural philosophy' — the forerunner of modern science — directly fuelled the imaginative world of Frankenstein.

    Oil lamp

    Mary Shelley often wrote at night, by the light of an oil lamp, once the other members of the household had fallen asleep. This nocturnal atmosphere reappears in the clandestine laboratory scenes featuring Victor Frankenstein.

    Personal diary

    Mary kept a diary from adolescence, partly written together with Percy. This diary is a valuable historical source on her life, her reading, and the genesis of her works. It reveals in particular the exact circumstances of the night at the Villa Diodati.

    Sailing boat

    Life on the shores of Lake Geneva and later in Italian ports placed the sailing boat at the heart of Mary's daily existence. Navigation is a central metaphor in Frankenstein, and it was during a sailing trip that Percy Shelley lost his life.

    Portrait of Mary Wollstonecraft

    Mary Shelley kept a portrait of her mother, a feminist philosopher she never knew, close at hand. She read and reread her works throughout her life, drawing on them in her own reflections on the condition of women and the act of creation.

    School Curriculum

    Vocabulary & Tags

    Key Vocabulary

    Tags

    lettres

    Daily Life

    Morning

    Mary rises early, often before the other members of the household. She has a light breakfast — tea, bread and butter — then devotes the morning to reading, particularly philosophy, natural sciences, or Latin and Greek classics she studies on her own.

    Afternoon

    The afternoon is reserved for writing, the central activity of her life. Mary works with a quill on large sheets of paper, often in a shared sitting room with Percy and their friends. Walks along the lakeshore or through the English countryside punctuate these working sessions.

    Evening

    Evenings at the Villa Diodati or during literary gatherings are animated by passionate intellectual discussions on philosophy, politics and science. Mary reads aloud, listens to poetry, and sometimes plays the piano or cards with her hosts.

    Food

    Mary Shelley's table is simple and frugal: tea in abundance, bread, cheeses, boiled vegetables and cold meats. During her travels in Italy, she discovers Mediterranean cuisine — pasta, olive oil, local wines — which she praises in her letters.

    Clothing

    Mary Shelley wears the white or lavender muslin Empire-style gowns typical of the English Regency, with high waists and modest necklines. When travelling she adopts more practical attire, with wool shawls and ankle boots. After her widowhood, she dresses mostly in black or dark grey.

    Housing

    Mary lives in lodgings that are often rented and temporary — Swiss lakeside villas, Roman or Florentine apartments, London townhouses. The interiors are sober but cluttered with books, manuscripts and portraits. The library is always the central room.

    Historical Timeline

    1792Publication de 'Vindication of the Rights of Woman' par Mary Wollstonecraft, mère de Mary Shelley
    1797Naissance de Mary Wollstonecraft Godwin à Londres le 30 août ; sa mère meurt onze jours plus tard
    1803Première pile électrique présentée par Alessandro Volta — le galvanisme fascine les scientifiques et inspire la création du monstre de Frankenstein
    1814Mary s'enfuit en Europe avec Percy Bysshe Shelley, poète marié et ami de son père
    1815Éruption du volcan Tambora en Indonésie, provoquant un 'été sans soleil' en Europe en 1816
    1816Nuit de la Villa Diodati : Mary conçoit Frankenstein lors d'un concours de récits fantastiques avec Byron, Percy Shelley et Polidori
    1816Suicide de Harriet Shelley, femme légitime de Percy ; Mary et Percy se marient en décembre
    1818Publication anonyme de Frankenstein or The Modern Prometheus par l'éditeur Lackington
    1819Mort de deux enfants de Mary et Percy — Clara et William — en quelques mois, deuils dévastateurs
    1822Naufrage et mort de Percy Bysshe Shelley dans le golfe de La Spezia ; Mary est veuve Ă  24 ans
    1823Deuxième édition de Frankenstein, première à paraître sous le nom de Mary Shelley
    1826Publication de 'The Last Man', roman de science-fiction dystopique sur la fin de l'humanité
    1831Édition définitive de Frankenstein avec une importante introduction autobiographique
    1844Publication de 'Rambles in Germany and Italy', récit de voyages en Europe
    1851Mort de Mary Shelley à Londres à 53 ans des suites d'une tumeur cérébrale

    Period Vocabulary

    Galvanism — A scientific theory from the 18th–19th century holding that electricity could animate muscles and restore life to bodies. Luigi Galvani's experiments on dead frogs fascinated Mary Shelley's generation and directly inspired Frankenstein.
    Natural philosophy — The 19th-century term for what we now call 'science'. Natural philosophy studied the phenomena of nature — electricity, chemistry, biology — and is the discipline practised by Doctor Frankenstein.
    Romanticism — A European artistic and literary movement of the early 19th century that championed emotion, wild nature, imagination, and the sublime in reaction to Enlightenment rationalism. Mary Shelley is one of its central figures, along with her circle of poets.
    The sublime — An aesthetic concept drawn from Edmund Burke and Kant, denoting the feeling of mingled terror and awe provoked by grand landscapes — storms, glaciers, volcanoes. The Alps and Lake Geneva in Frankenstein embody the Romantic sublime.
    Modern Prometheus — A reference to the Greek god Prometheus, who stole fire from the gods to give to humanity and was punished for it. The subtitle of Frankenstein casts the doctor as a 'Modern Prometheus': a creator who oversteps the limits set by nature and suffers the consequences.
    Regency — The English period from 1811 to 1820 during which the future George IV governed in place of his father George III, who was deemed unfit to rule. It is against this backdrop of cultural ferment and new freedoms that Mary Shelley grew up and began to write.
    Epistolary novel — A novelistic form constructed as an exchange of letters between characters. Frankenstein uses this nested narrative structure — letters containing a story that itself contains another story — inherited from the 18th-century tradition.
    Wollstonecraftian — An adjective describing the ideas inherited from Mary Wollstonecraft on gender equality and women's education. Mary Shelley claimed this maternal legacy while carefully navigating a literary world dominated by men.
    Year Without a Summer — The name given to 1816, a year marked by a worldwide cooling caused by the eruption of Mount Tambora. This cold, rainy spring and summer forced Mary and her companions to remain indoors at the Villa Diodati, creating the conditions in which Frankenstein was written.

    Gallery

    
Portrait of Percy Bysshe Shelley

    Portrait of Percy Bysshe Shelley

    WilliamShelley

    WilliamShelley

    
The Funeral of Shelley

    The Funeral of Shelley

    
Mary Wollstonecraft Shelley title QS:P1476,en:"Mary Wollstonecraft Shelley "label QS:Len,"Mary Wollstonecraft Shelley "label QS:Lsl,"Mary Wollstonecraft Shelley"

    Mary Wollstonecraft Shelley title QS:P1476,en:"Mary Wollstonecraft Shelley "label QS:Len,"Mary Wollstonecraft Shelley "label QS:Lsl,"Mary Wollstonecraft Shelley"

    
Mary Wollstonecraft Shelley title QS:P1476,en:"Mary Wollstonecraft Shelley "label QS:Len,"Mary Wollstonecraft Shelley "label QS:Lsl,"Mary Wollstonecraft Shelley"

    Mary Wollstonecraft Shelley title QS:P1476,en:"Mary Wollstonecraft Shelley "label QS:Len,"Mary Wollstonecraft Shelley "label QS:Lsl,"Mary Wollstonecraft Shelley"

    Leipzig Auerbachs Keller Mephisto und Faust 02

    Leipzig Auerbachs Keller Mephisto und Faust 02

    Leipzig Auerbachs Keller Mephisto und Faust 03

    Leipzig Auerbachs Keller Mephisto und Faust 03

    Leipzig Auerbachs Keller Mephisto und Faust 01

    Leipzig Auerbachs Keller Mephisto und Faust 01

    Leipzig Auerbachs Keller Mephisto und Faust 04

    Leipzig Auerbachs Keller Mephisto und Faust 04

    History of Six Weeks Frontispiece

    History of Six Weeks Frontispiece

    Visual Style

    Le style visuel de l'univers de Mary Shelley conjugue l'esthétique romantique britannique — portraits au clair-obscur dramatique, robes empire blanches, bibliothèques sombres — avec les paysages alpins et lacustres qui ont inspiré Frankenstein.

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    AI Prompt
    Romantic era portraiture in the style of Richard Rothwell, oil painting with dramatic chiaroscuro lighting, dark moody backgrounds with lake landscapes at dusk, pale young woman with dark curly hair in early 19th century English dress, white muslin gown with empire waist, candlelit interior with bookshelves and scattered manuscripts, gothic atmosphere mixed with neoclassical elegance, Swiss Alps visible through leaded windows, stormy purple-grey skies, warm amber candlelight contrasting with cold blue-grey exteriors

    Sound Ambience

    L'univers sonore de Mary Shelley mêle les tempêtes romantiques du lac Léman aux bruits feutrés de l'écriture nocturne, du feu de cheminée et des discussions intellectuelles — une atmosphère à la fois intimiste et chargée d'électricité créatrice.

    AI Prompt
    Stormy night sounds on Lake Geneva, rain lashing against stone villa windows, distant thunder echoing over water, crackling fireplace, quill scratching on parchment, wind moaning through old wooden shutters, faint sound of a harpsichord, turning pages of leather-bound books, low intellectual conversation in French and English, occasional boat creaking on the lake at dawn, London street noise of horse-drawn carriages on cobblestones, church bells from Somers Town, waves crashing on Italian Mediterranean coast

    Portrait Source

    wikimedia