Nikolai Rimsky-Korsakov(1844 — 1908)

Nikolai Rimsky-Korsakov

Empire russe

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MusicCompositeur/trice19th CenturyTsarist Russia in the second half of the 19th century, a period marked by the rise of a national Russian music seeking to free itself from German and Italian influence.

Russian composer of the 19th century and member of The Five. An undisputed master of orchestration, he is famous for his symphonic suite Scheherazade and his many operas inspired by Russian folklore.

Frequently asked questions

Nikolai Rimsky-Korsakov (1844–1908) was a major Russian composer of the 19th century and a member of The Five. What stands out is that he is regarded as the undisputed master of orchestration, the art of distributing notes among instruments to create sonic colors. His most famous work, the symphonic suite Scheherazade (1888), remains a pinnacle of instrumental virtuosity. More than just a composer, he was also an influential teacher at the Saint Petersburg Conservatory, training generations of Russian musicians.

Key Facts

  • Born in 1844 in Tikhvin, died in 1908 near Luga (Russia)
  • Member of The Five, a circle of Russian composers championing a national music
  • Composed the symphonic suite Scheherazade in 1888, inspired by One Thousand and One Nights
  • A professor at the Saint Petersburg Conservatory, he taught notably Igor Stravinsky
  • Author of famous operas such as The Golden Cockerel and The Legend of the Invisible City of Kitezh, and of Flight of the Bumblebee

Works & Achievements

Scheherazade, Op. 35 (1888)

Symphonic suite inspired by the *One Thousand and One Nights*, the pinnacle of his orchestration mastery and one of the most frequently performed Russian works.

Capriccio espagnol, Op. 34 (1887)

A dazzling orchestral piece celebrating the colors of Spanish music, a showcase of his instrumental virtuosity.

Russian Easter Festival Overture, Op. 36 (1888)

An overture evoking the Orthodox liturgy and Russian religious chants.

The Golden Cockerel (1907)

His final opera, a biting satire of absolute power after Pushkin, censored by the tsarist authorities.

The Legend of the Invisible City of Kitezh (1907)

A mystical opera blending Russian legend with spirituality, sometimes nicknamed the “Russian Parsifal.”

Flight of the Bumblebee (from The Tale of Tsar Saltan) (1900)

A brief orchestral interlude that became world-famous for its whirlwind of rapid notes.

Principles of Orchestration (1913)

A didactic treatise published after his death, a major reference for the teaching of orchestration.

Anecdotes

Before becoming a composer, Rimsky-Korsakov was an officer in the Imperial Russian Navy. In 1862, he boarded the clipper Almaz for a round-the-world voyage lasting nearly three years, composing his first symphony during the long crossings at sea.

When he accepted a post as professor of composition at the Saint Petersburg Conservatory in 1871, Rimsky-Korsakov barely mastered the rules of harmony and counterpoint himself. He studied in secret, sometimes only one lesson ahead of his own students, to fill the gaps in his knowledge.

He completed or reorchestrated many works by his friends from The Five after their deaths, notably Borodin's unfinished opera Prince Igor and Mussorgsky's Boris Godunov. Without him, several Russian masterpieces might have remained silent.

In 1905, he publicly defended the students who had revolted and was dismissed from the Conservatory. In a show of solidarity, many professors resigned, and his works were for a time banned from performance by the tsarist censors.

Rimsky-Korsakov perceived musical keys as colors, a phenomenon close to synesthesia: he associated, for example, the key of E major with blue and E-flat with darkness. This perception fueled his genius for orchestration.

Primary Sources

Chronicle of My Musical Life (Letopis moyey muzykalnoy zhizni), N. Rimsky-Korsakov (1909 (posthumous publication, written 1876-1906))
The talent for orchestration, like any other, can and must be developed. The composer must feel his orchestra, love its colours and its timbres.
Principles of Orchestration (Osnovy orkestrovki), N. Rimsky-Korsakov (1913 (posthumous publication))
To orchestrate is to create; and that cannot be taught. One can only show how the great masters went about it and point out the resources of the instruments.
Letter from Rimsky-Korsakov on teaching at the Saint Petersburg Conservatory (around 1871)
I had become a professor of composition while remaining ignorant of a great many things myself; I learned by teaching, often staying just one lesson ahead of my pupils.

Key Places

Tikhvin

Small town in the Novgorod region where Rimsky-Korsakov was born in 1844. The house of his birth is now a museum.

Saint Petersburg

Imperial capital where he studied at the Naval Academy, taught at the Conservatory, and composed the bulk of his work.

Saint Petersburg Conservatory

Institution where he was a professor of composition from 1871 to 1905, training students such as Stravinsky and Prokofiev.

Lyubensk

Country estate near Saint Petersburg where he died in 1908.

See also