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Wangechi Mutu(1972 — ?)

Wangechi Mutu

Kenya

6 min read

Visual ArtsArtiste21st CenturyContemporary art of the late 20th and early 21st centuries, shaped by postcolonial, feminist, and diasporic questioning.

Wangechi Mutu is a Kenyan-American visual artist born in 1972 in Nairobi. She is famous for her monumental collages, sculptures, and installations that explore the Black female body, post-colonialism, and African identity.

Frequently asked questions

Wangechi Mutu is a Kenyan-American visual artist born in 1972 in Nairobi. What makes her so pivotal is her ability to blend collage, sculpture and installation to question the Black female body, post-colonialism and the African diaspora. Her hybrid work, at once critical and poetic, challenges Western perceptions of Africa and of Black women. Today she is one of the leading figures in international contemporary art.

Key Facts

  • Born in 1972 in Nairobi, Kenya, she went on to study in the United States (Cooper Union, then Yale University, MFA in 2000)
  • Known for her large collages combining magazine images, paint, and various materials, depicting hybrid female figures
  • In 2019, she created the first sculptures ever installed in the niches of the façade of the Metropolitan Museum of Art in New York (the 'The NewOnes, will free Us' series)
  • Her work questions the way the Black woman's body is viewed, as well as colonialism and globalization
  • She divides her life and work between New York and Nairobi

Works & Achievements

Series of collages on Mylar and paper (2000s)

Large collages depicting hybrid women made from cut-out images. They made the artist famous and question the way the Black female body is looked at.

The End of eating Everything (2013)

The artist's first animated film, created with the singer Santigold. A monstrous creature devours everything in its path, a metaphor for consumption and destruction.

Wangechi Mutu: A Fantastic Journey (2013)

A major traveling retrospective bringing together more than fifty works. It cemented her international recognition.

The NewOnes, will free Us (2019)

Four bronze sculptures of seated women installed on the facade of the Metropolitan Museum. The first works to occupy these niches, they reverse the place of African female bodies in art.

Water Woman (2017)

A monumental bronze sculpture inspired by the mythical figure of Mami Wata, the water spirit of West Africa. It marks her emergence as a sculptor.

Intertwined (2023)

A major retrospective at the New Museum in New York spanning three decades of work, from collages to monumental sculptures.

Anecdotes

Wangechi Mutu grew up in Nairobi, Kenya, where she attended a Catholic school run by nuns. As a teenager, she left to study in Wales, then in the United States — a journey that would later feed her art focused on dual belonging and exile.

To create her famous collages, Wangechi Mutu cuts images from very different kinds of magazines: fashion magazines, pornographic magazines, medical atlases and ethnographic catalogs. By assembling these fragments, she composes the bodies of women who are half-human, half-creature, questioning the way Black women are looked at.

In 2019, Wangechi Mutu became the first artist to occupy the niches on the façade of the Metropolitan Museum of Art in New York, which had stood empty since the building was constructed in 1902. There she installed four bronze sculptures of seated women, titled “The NewOnes, will free Us.”

Wangechi Mutu leads a double life across two continents: she divides her time between her studio in Brooklyn, New York, and a second studio set up in Nairobi, her hometown, where she draws both materials and inspiration.

Her works are not only images: Mutu sometimes adds fur, glitter, soil, beads or feathers to them, turning the collage into an almost living surface that the viewer wants to touch.

Primary Sources

Wangechi Mutu, interview about “The NewOnes, will free Us” (Metropolitan Museum of Art) (2019)
Mutu describes her figures as “Sentinels” — African guardians placed at the museum's entrance to welcome and protect visitors, overturning the role usually assigned to Black women's bodies in the history of art.
Artist's statement on her collage practice (2000s)
“The women I create are hybrids, survivors; they are made of pieces of the world and yet remain whole.”
Catalogue for the exhibition “Wangechi Mutu: A Fantastic Journey” (Nasher Museum of Art, Duke University) (2013)
The exhibition brings together more than fifty works, from collages to video installations, showing how the artist weaves together mythology, science fiction and African colonial history.

Key Places

Nairobi, Kenya

Wangechi Mutu's birthplace, where she grew up and set up a second studio. There she draws materials, memory, and inspiration.

Yale University, New Haven (United States)

Where the artist earned her Master of Fine Arts in sculpture in 2000. A key step in her training.

Brooklyn, New York (United States)

Home to her main studio, where she lives and works much of the year. The hub of her international career.

Metropolitan Museum of Art, New York

The façade where she installed her four bronze sculptures in 2019, the first works to fill the niches that had stood empty since 1902.

Cooper Union, New York

The New York art school where Mutu pursued her first higher education in the United States before Yale.

See also