Alexander Pope(1688 — 1744)

Alexander Pope

royaume de Grande-Bretagne, royaume d'Angleterre

7 min read

LiteraturePoète(sse)Early ModernEnlightenment England, early 18th century (Georgian era)

Alexander Pope was a British poet and essayist of the 18th century, a major figure of English Neoclassicism. A master of the rhymed heroic couplet, he is celebrated for his satirical and philosophical poems as well as for his translations of Homer's *Iliad* and *Odyssey*.

Frequently asked questions

Alexander Pope (1688-1744) is the undisputed master of the heroic couplet, the rhyming distich in iambic pentameter that dominates eighteenth-century English poetry. The key thing to remember is that he embodies English Neoclassicism – a movement that championed order, clarity and the imitation of the Ancients. A poet, satirist and translator of Homer, he was also the first English writer to make a living from his pen without a patron, thanks to the subscription system for his Iliad. His European fame rests on his Essay on Man, which defends a providential optimism and would be debated everywhere, from Voltaire to Kant.

Famous Quotes

« To err is human, to forgive divine. »
« A little learning is a dangerous thing. »
« Hope springs eternal in the human breast. »

Key Facts

  • Born in 1688 in London into a Catholic family, which deprived him of a formal education and civil rights in Protestant England
  • Published the *Essay on Criticism* in 1711, which established him as a poet and literary theorist
  • Brought out *The Rape of the Lock*, a mock-heroic poem, in 1712 and then 1714
  • Produced a verse translation of the *Iliad* (1715-1720) and then the *Odyssey*, a financial success that secured his independence
  • Published *The Dunciad* (1728) and the *Essay on Man* (1733-1734), before his death in 1744

Works & Achievements

An Essay on Criticism (1711)

A didactic poem in heroic couplets setting out the principles of literary taste; it contains phrases that became proverbial and revealed Pope's genius.

The Rape of the Lock (1712-1714)

A mock-heroic poem that transforms a trivial society quarrel into a burlesque epic. A masterpiece of Pope's satirical wit.

Translation of Homer's Iliad (1715-1720)

A translation in heroic verse praised for its elegance; a financial success that made Pope independent of patrons.

Translation of Homer's Odyssey (1725-1726)

A translation of the Odyssey carried out with collaborators, extending the triumph of the Iliad.

Edition of the Works of Shakespeare (1725)

A critical edition of Shakespeare's plays by Pope, important despite its corrections being disputed by scholars.

The Dunciad (1728-1743)

A biting satire against mediocrity and bad authors, in which Pope settles his literary scores with ferocious virtuosity.

An Essay on Man (1733-1734)

A long philosophical poem on humankind's place in the universe, defending a providential optimism. Pope's most translated and most debated work in Europe.

Moral Essays / Epistles to Several Persons (1731-1735)

A series of satirical and moral epistles on wealth, taste and human nature, consummate examples of his art of the portrait.

Anecdotes

Afflicted from adolescence by a form of bone tuberculosis (Pott's disease), Pope stopped growing and never exceeded 1.37 metres in height, his back hunched and his body weakened. He had to wear a stiff canvas corset to hold himself upright and needed help to dress, but he turned this disability into creative strength through relentless work.

Born a Catholic in Protestant England, Pope was barred from the universities, from public office, and even forbidden to live within 16 kilometres of London. Largely self-taught, he learned Latin, Greek, French and Italian on his own by devouring the family library.

His translation of Homer's *Iliad* was an enormous commercial success: thanks to subscriptions, it earned him enough to live comfortably and made him the first English poet to become financially independent through his pen, without depending on a patron.

Pope took revenge on his literary enemies in his satires, notably in *The Dunciad*, a poem in which he ridiculed the bad writers of his day by name. He stirred up so much hatred that he took to walking with his Great Dane and a pair of pistols to protect himself.

At his villa in Twickenham, Pope had a famous grotto dug out and adorned with shells, mirrors and minerals, linking his house to his garden beneath a road. He made it a place of meditation and conversation, a symbol of his taste for studious retreat.

Primary Sources

An Essay on Criticism (1711)
A little learning is a dangerous thing ; / Drink deep, or taste not the Pierian spring.
An Essay on Man, Epistle I (1733-1734)
Whatever is, is right. — a phrase summing up the philosophical optimism of the poem on the place of man within the divine order.
The Rape of the Lock (1714)
What dire offence from amorous causes springs, / What mighty contests rise from trivial things.
An Essay on Criticism (1711)
To err is human, to forgive divine.

Key Places

London (Lombard Street)

Pope's birthplace, in a family of Catholic merchants in the City. Anti-Catholic legislation would soon force the family to leave the capital.

Binfield (Windsor Forest)

Village in Berkshire where the Pope family settled to comply with the ban forbidding Catholics from living near London. The young Pope educated himself there as a self-taught scholar.

Twickenham (Pope's Villa)

Villa on the banks of the Thames where Pope lived from 1719 until his death, famous for its landscaped garden and its grotto. The centre of his literary and social life.

Stowe (gardens)

Vast estate where Pope advised on the design of landscaped gardens, an art of which he was one of the leading promoters in England. A place of stays and inspiration.

St Mary the Virgin Church, Twickenham

Parish church where Pope was buried in 1744 and where a monument is dedicated to him. A place of remembrance for the poet.

See also