Kamehameha I’s menu
ʻai (staple starch)

Poi (fermented taro paste)

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A smooth, purplish paste obtained by cooking taro corms and then pounding them on a wooden board (papa kuʻi ʻai) with a volcanic stone pestle (pohaku kuʻi ʻai). Eaten fresh (poi "one-finger" or "two-finger," depending on thickness), it develops a subtle acidity as it ferments, accompanying all dishes.

ʻai (staple starch)

A smooth, purplish paste obtained by cooking taro corms and then pounding them on a wooden board (papa kuʻi ʻai) with a volcanic stone pestle (pohaku kuʻi ʻai). Eaten fresh (poi "one-finger" or "two-finger," depending on thickness), it develops a subtle acidity as it ferments, accompanying all dishes.

The kalo is the eldest, it is Hāloa — the one who feeds all his younger siblings, us humans. At my table, poi is never missing. I watch my servants pound it on the great koa board, long, until it is without the slightest lump, smooth as the morning sea. Fresh, it is sweet; on the second day, it stings the tongue a little, and that is how I prefer it. You dip your fingers in — one finger for thick poi, two for fluid. King though I am, before poi I am first a child of this land.
Kamehameha I
Ingredients
  • Taro corm (kalo)Several well-ripened corms (Sole base of poi)
  • Fresh waterAs needed for desired consistency (To thin the paste)
How it was made : Taro was cultivated in sophisticated loʻi (irrigated terraces), true feats of agricultural engineering. Pounding was done on a hardwood board (papa kuʻi ʻai), often of koa, with a polished basalt pestle. It was physical work assigned to men. Poi was so central that the Hawaiian language had over fifteen words to describe its different textures and stages of fermentation.
Sources : E.S. Craighill Handy & Elizabeth Green Handy, Native Planters in Old Hawaii: Their Life, Lore, and Environment, Bishop Museum Press, 1972 · Samuel M. Kamakau, Ka Poʻe Kahiko: The People of Old, Bishop Museum Press, 1964

See also