Assis Chateaubriand’s menu
Almoço de festa (the grand Sunday lunch)

Feijoada completa

FestiveDocumented🧂 🍄 🫙moyen3 h (+ overnight soaking)

A slow-cooked stew of black beans and an assortment of salted and smoked pork, served with white rice, farofa, shredded collard greens, and orange slices. A dense, deep dish shared in large company over an entire afternoon.

Almoço de festa (the grand Sunday lunch)

A slow-cooked stew of black beans and an assortment of salted and smoked pork, served with white rice, farofa, shredded collard greens, and orange slices. A dense, deep dish shared in large company over an entire afternoon.

My dear friend, when I entertain, I spare no expense: a proper feijoada demands a pot where every cut of the pig simmers, and you must devote the whole day to it without watching the clock. You soak the black beans the night before, toss in the lard, the salted rib, the smoked sausage, and let the fire do its work slowly, as one builds a newspaper empire. You splash it with cachaça before sitting down, slice the orange to lighten the stomach, and talk politics until evening. It is around this black, steaming dish that friendships are forged and ministries are undone.
Assis Chateaubriand
Ingredients
  • Black beansa large measure (stew base)
  • Salted pork cuts (ribs, tail, ear, trotter)in abundance (meaty core and salt)
  • Smoked bacon and paio sausageaccording to the table (smoke and fat)
  • Carne-seca (salted dried beef)a few pieces (umami, depth)
  • Garlic, onion, bay leafgenerously (aromatics)
  • Manioc flourone bowl (farofa accompaniment)
  • Orangesseveral (freshness, digestion)
How it was made : Long presented as a dish born in the senzalas from pork offcuts, feijoada is actually heir to Iberian and European bean stews, enriched in Brazil by the abundance of pork and black beans. In the 20th century, it became a national dish and a weekend social ritual. It was cooked in large cast-iron pots over wood fire all morning long.
Sources : Luís da Câmara Cascudo, História da Alimentação no Brasil, 1967 · Gilberto Freyre, Casa-Grande & Senzala, 1933